Over a decade spent in-house at AIR, Adam perfected his craft on feature films and classical records, games, and major stadium shows, working with the best and most innovative in the industry. With a diverse and expansive portfolio, Adam’s significant contributions include, recording and mixing Bobby Krlic’s captivating score for Ari Aster’s unsettling horror film Midsommar and the collaborative score of the 2024 hit nostalgic romantic comedy series One Day for Anne Nikitin, Jess Jones, and Tim Morrish. Mix projects include ethereal duo Vanbur’s 2025 album Of Becoming, Emilie Levienaise-Farrouch’s score for both Prano Bailey-Bond’s critically acclaimed 2021 Sundance debut Censor and Levienaise-Farrouch’s score for BAFTA nominated picture H is for Hawk, as well as the score for hit comedy Everyone Else Burns by Thomas Ross Fitzsimons. His long-term collaboration with composer Peter Gregson has included recording and mixing his Deutsche Grammophon debut Recomposed by Peter Gregson: Bach – The Cello Suites, as well as co-producing Gregson’s album, Patina. More recently, he engineered and mixed Gregson’s BBC drama Lost Boys and Fairies, and Atmos mixed Peter Gregson’s self-titled 2025 album.